My painting practice explores an imperfect world, allowing me to move between the perspectives of the observer and the experiencer. Through this process, I engage in direct dialogue and exchange with the people, experiences, and ideas that inform and inspire my work.
After a period of experimentation with abstraction, I gravitated toward conceptualism as a more suitable framework for expressing my artistic vision. My practice continues to evolve as I examine issues of identity, gender inequality, and cultural contradictions in Haiti and the United States. Working across various media, I often respond to contemporary political, cultural, and social discourses. Through layered processes and mixed media, I seek to capture the complexity of these subjects, which remain sources of tension, debate, and reflection within communities across the United States and beyond.
Ultimately, I aim to create a space within my work that is both intrapersonal and interpersonal—a space that invites viewers into an unfiltered encounter with the realities I explore. By confronting them with challenging perspectives and lived experiences, I hope to encourage moments of pause, introspection, and deeper examination of the social and cultural narratives reflected in my work.